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Under the Hill (Illustrated), by Aubrey Beardsley
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To those who are acquainted with Aubrey Beardsley's essays into the domain of literature no apology for this re-publication is needed—indeed Beardsley's most intimate friends have averred that if his master genius had been turned seriously towards the world of letters, his success would have been as undoubted there as it was in the world of art.
Admirers frequently have expressed a wish to see the literary remains of Beardsley. This volume, in which are gathered together various fragments and personalia, will, I trust, meet the case.
A few of my random recollections of Beardsley's association with "The Yellow Book" perhaps will not be amiss.
- Sales Rank: #725148 in eBooks
- Published on: 2015-09-30
- Released on: 2015-09-30
- Format: Kindle eBook
Most helpful customer reviews
1 of 1 people found the following review helpful.
A very visual but, alas, unfinished novel
By Steven Davis
Aubrey Beardsley is principally known as an illustrator associated with the Decadence and Art Nouveau movements of the very late 19th Century. Near the end of his short life, however, he undertook to write a novel based on the legend of the medieval German Minnes�nger Tannh�user and his visit to the Venusburg, the underground haven of the goddess of love. Beardsley died, however, in 1898 leaving the novel a little more than half finished. A fragment was published by the author during his lifetime, but with the name of Venus for some reason changed to Helen. (There is at least one instance in the text where he forgot to change it back to Venus.) A bowdlerized version of the entire (but unfinished) work was published posthumously in 1907, then an uncensored edition in 1927. The Wordsworth Classic edition features an ending supplied by the poet John Glassco based on Beardsley's notes. Of the novel's 140 pages, the first 80 are Beardsley's, the final 60 Glassco's.
The story follows the legend of Tannh�user as depicted in Wagner's opera of the same name, but with considerable erotic embellishment. With little preamble, Tannhauser, a knight, stumbles upon an ornate portal leading into an underground fantasy land. It is the Venusburg, where the goddess and her retinue spend eternity wining and dining, entertaining one another with various musical and stage productions, and, of course, having lots of sex. Tannhauser immediately becomes Venus's favorite, and spends weeks in non-stop debauchery. Eventually, though, he becomes bored and takes his leave of paradise. He is scarcely back in the world of reality before he is smitten with shame and remorse for his sins which are so great, he is told, that only the Pope himself could possibly grant Tannhauser absolution.
Beardsley illustrated his own work, of course, and started writing the novel as though it were a description of the pictures rather than the other way around. Early in the novel he spends pages describing a single scene in full detail--hair styles, clothes, furniture, decorations--then bolts through the ensuing action in a few sentences. There is virtually no dialogue. As the novel progresses, though, the style becomes more balanced with equal attention to plot and setting. It continues this way through Glassco's ending. The erotic passages are extreme in their variety and perversity, but described with brevity and delicacy. Beardsley uses mostly French terms for bodily parts and functions. It is unclear how serious we are meant to take Tannhauser's repentance, since this part of the novel is Glassco's and not Beardsley's, but this is a novel meant to stimulate the senses, not the intellect.
1 of 1 people found the following review helpful.
Mezmorizingly Bizzare Love Story
By Charles Barron
I got ahold of a used copy of this treasure, back when it was hard to find. Interested readers are so fortunate to have it back in print. One of those books that had me breathlessly mumbling incantations of how badly I wished I had written this. Clearly C.S. Watson "didn't get it." That's ok, Venus & Tannh�user isn't for everyone. The writing is highly stylized and fantastical, with over-the-top descriptions that simultaneously parody Victorian literature, while standing as a gorgeous example of the style. There's tons of wit, humor and amazing imagery. If you're into surrealist, fun, erotic, and just generally hilarious over-the-top Victorian writing, I recommend giving this one a whirl.
0 of 0 people found the following review helpful.
Five Stars
By Brian Shelton
Read it.
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